includes mushrooms, spider web, embryos, motherhood, different shades of breast in front of globe, scorpion with scroll on top of scrobe that dates October 3rd - no damage
Heliton's mural captures the emotion and environment of a mid-20th century jazz club. Vocalists, a bassist, trumpeters, and a saxophonist are depicted in a fervent state of artistry. Heliton chose a corner spot for his mural, which lends a sense of depth to the piece, similar to how a jazz band would be physically arranged.
Davis’ mural is a commentary on the conflict between technology & progress and history & culture. African statues are shown with their genitalia replaced by machines. Davis painted this mural in response to the destruction of several Hannah Hall murals for windows looking into a new computer lab. He foresaw that his own mural may also be damaged.
depiction of civil rights over time, Thurgood Marshall, Justice Earl Warren, school desegregation, children playing, importance of educational uplift - no damage
included the military escort for school integration, flag, church, shotgun house in background, lots of fold in clothing (painting style) - some damage (top of staircase)
geometric human figures, trumpet, saxophone, worship scene, possibility of woman with cloth on heads, partially covered face, various blocks of cool colors - no damage
geometric with vibrant colors, there are three scenes, surrealist, includes shotgun house, church, school and references to laundry and clothes - no damage
green and dark hues, swamp with rave, butterfly and lotus flower, sickly figures appear to be fleeing from something (separated by several doorways and cutouts)
Green fled New Orleans following Hurricane Katrina and then became a Texas Southern art student. His mural’s quintessentially New Orleans themes are linked by floodwaters running throughout the composition. It features baby Moses about to be floated down the Nile, enslaved people at a market, the Creole river goddess Mami Wata, and the Superdome.
