Gaston Micheaux, was a war veteran who was given the opportunity in his first year of study to paint a mural. Reflecting on the devastation of the most recent world war, three panels depict terror, hunger, and human compassion. A scared, Black woman with children evokes the mid-20th century atmosphere of threat to Black life in America.
Taylor's mural captures a snapshot of Houston’s Third Ward in the mid-20th century. An ad for Big Mama Thornton’s Harlem Stars’ performance at City Auditorium indicates that Houston is the setting. The scene is a busy and varied one; people in various sorts of dress walk around, while children play in the streets and a derelict man sits by a tree.
abstract, includes cigarette, cocktail glass, eyeballs, an amorphous form (possibly uterus), syringes inscribed MVCII and Zafina B, blue green - no damage